The Replacements
Let It Be
Album · Rock · 1984
Most punk groups eventually “mature”, once they learn to play their instruments better. But The Replacements grew into the most loved rock ’n’ roll band in the American indie scene of the ‘80s—and this third album shows why. Their cover of Kiss’ “Black Diamond” is pure rock thunder, but “Unsatisfied”, “Androgynous”, “Sixteen Blue” and “Answering Machine” are cries from the heart that established Paul Westerberg as a singer for misfits everywhere. His cracked, pained vocals are beyond compare. Even silly stuff like “Tommy Gets His Tonsils Out” and “Gary’s Got a Boner” rock with heart.
Let It Be
The Replacements
Most punk groups eventually “mature”, once they learn to play their instruments better. But The Replacements grew into the most loved rock ’n’ roll band in the American indie scene of the ‘80s—and this third album shows why. Their cover of Kiss’ “Black Diamond” is pure rock thunder, but “Unsatisfied”, “Androgynous”, “Sixteen Blue” and “Answering Machine” are cries from the heart that established Paul Westerberg as a singer for misfits everywhere. His cracked, pained vocals are beyond compare. Even silly stuff like “Tommy Gets His Tonsils Out” and “Gary’s Got a Boner” rock with heart.
