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Bedrich Smetana: Vltava from Má Vlast (River Moldau from My Country)
Yannick Nézet-Séguin & Berlin Philharmonic
Smetana: Má vlast, JB 1:112: II. Vltava, "The Moldau"
Andris Nelsons & Vienna Philharmonic
Smetana: The Bartered Bride, JB 1:100: Dance of the Comedians
Andris Nelsons & Vienna Philharmonic
Smetana: The Two Widows, JB 1:108: Polka
Andris Nelsons & Vienna Philharmonic
Memories of the Moldau
Louis Philippson
The Bartered Bride: Overture
Andris Nelsons & Vienna Philharmonic
About Bedřich Smetana
Artist Biography
In his native Czechia (originally Bohemia), Smetana is a national hero, honoured as the father of Czech music. For many, he is still unrivalled as the musical portrayer of his country’s landscapes and its people. In fact, the middle-class family into which he was born in 1824 spoke only German (the dominant language of the Austrian Empire), and Smetana had to learn the indigenous language as well as discover its folk music. His musical talent was recognised very early, and when it was allied to passionate nationalism it enabled him to create some of the defining masterpieces of the Czech national tradition, including the epic opera Dalibor (1868) and the hugely popular pastoral comedy The Bartered Bride (1866). The six vividly pictorial symphonic poems that make up Má Vlast (My Country, 1874-79) have remained a firm favourite, and together they have opened every Prague Spring Festival since 1952. Tragically, Smetana was unable to enjoy his rising success during his last years. A venereal infection robbed him first of his hearing (painfully encapsulated by a piercing high violin E in his first string quartet, From My Life, 1876), and then of his sanity. He worked on, heroically, for as long as he could, but died in an asylum in Prague in 1884.
Hometown
Leitomischl, Czech Republic
Genre
Classical
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