Top Songs By Nicolai Gedda
More albums from Nicolai Gedda
ALBUMStrauss, R.: CapriccioKarl Schmitt-Walter, Hans Hotter, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, Nicolai Gedda, Rudolf Christ, Dennis Wicks, Wolfgang Sawallisch, Philharmonia Orchestra, Raymond Leppard, Christa Ludwig, Dermot Troy, Eberhard Wächter, Manoug Parikian, Anna Moffo, Edgar Fleet, Raymond Clark, David Winnard, Edward Darling, Lesley Fyson, Geoffrey Walls, John Hauxwell & Ian Humphries
ALBUMGeorge Bizet: Carmen [1958], Vol. 2Sir Thomas Beecham, French National Radio Orchestra, French National Radio Chorus, Les Petits Chanteurs de St. François de Versailles, Bernard Plantey, Michel Hamel, Xavier Depraz, Victoria de los Ángeles, Janine Micheau, Nicolai Gedda, Ernest Blanc, Denise Monteil, Monique Linval, Marcelle Croisier & Jean-Christophe Benoit
ALBUMSchwarzkopf, Elizabeth: Operetta AriasElisabeth Schwarzkopf, Hansgeorg Otto, Berlin Deutsche Opera Orchestra, Walter Lutze, Berlin Deutsche Opera House Choir, Erich Kunz, Nicolai Gedda, Emmy Loose, Joseph Schmidinger, Otakar Kraus, London Philharmonic Choir, Otto Ackermann & London Philharmonic Orchestra
About Nicolai Gedda
Artist Biography
Charming, debonair, sophisticated, Nicolai Gedda had a long career as one of the world’s leading lyric tenors through the second half of the 20th century, matching on their own ground the Latin voices that tended to rule that category of singing. Because Gedda could do anything, perfectly. Born in 1925 in Stockholm to a Swedish mother and a Swedish-Russian father, raised partly in Germany before gravitating toward France (where he excelled in French repertoire), he was multilingual and blessed with a broad musical intelligence that attracted the record producer Walter Legge, who "discovered" him in the early 1950s. A run of now-celebrated EMI recordings was the immediate result, starting with a landmark 1952 Boris Godunov (casting Gedda as Dimitri). And some 200 more releases followed in the next four decades, mirroring a stage career that focused on the Paris Opera, New York Met and Covent Garden in roles like Tamino (Magic Flute), Alfredo (La Traviata) and the Duke of Mantua (Rigoletto), alongside the great French tenor repertoire of Gounod, Meyerbeer and Berlioz. Clarity and effortless legato that could float a top note with impressive style ranked high among his gifts. An ear for detail made him an accomplished song recitalist. And being quick to learn, he was useful in new music—not least at the Met, where he created operatic roles by Barber and Menotti. Still performing and recording into his late 70s, he died in 2017 at age 91.
Hometown
Stockholm, Sweden
Genre
Classical
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