North Carolina upstart Indigo De Souza has no time for evasiveness. Her lo-fi pop songs are characterised by no-frills lyrics about co-dependency and self-alienation, set against infectious pop-rock backdrops. There are grunge power ballads like “Darker Than Death”, wry emo-adjacent miniatures like “Kill Me” (sensing a theme with these titles?) and Top 40 flourishes—see the Auto-Tune detour in “17” and the rap breakdown in “Nomoah”. Inevitably, these tracks are full of relatable asides; in “Nomoah”, for instance, she recalls feeling isolated at a party: “I came here to miss my maker/But now I miss my cat.”