A major innovative force behind the controversial "alternative narcocorrido" sound (Mexican regional music's version of gangsta rap), Gerardo Ortíz has been wrestling with angels and demons since his 2010 debut, Ni Hoy Ni Mañana. Hardcore tracks like hitman homage "La Última Sombra"—a flurry of fiery AK-47 drumming and racing tuba and accordion lines—eventually made room for romantic banda ballads such as "Mujer de Piedra", traditional norteño romps like "Mañana Voy A Conquistarla" and other showcases for Ortíz's jubilant accordion.