When Korn introduced their seething mix of rap, metal, funk and alt-rock, they galvanised a generation of outcasts. P.O.D. turn the sound into a desperate plea on "Youth of the Nation", while LINKIN PARK shoot nihilistic raps through a moody electro soundscape on "In the End". But Evanescence's Amy Lee is the fiercest one here, towering over her male counterparts on "Bring Me To Life".